Fantasia (1940).
- sorcerer’s apprentice was the main source of inspiration.
The Abyss
- ILM developed new techniques for the feature film.
The Prince of Egypt
- New techniques such as moving the camera around the scene.
- Exposure tool- hand drawn 2d characters were able to be brought into a 3d world. exposure tool warps the backgrounds.
- 3d bugs.
- angel of death was computer generated as well as a lot of the people in the parting of the red sea.
The mill did visual fx for gladiator in london. They mostly work on adverts.
MPC film fx reel.
http://www.moving-picture.com/reels/our-reels/
http://www.moving-picture.com/reels/our-reels/film-fx-reel
Lorenzo Lavatelli- effects technical director:
Art of destruction fx guide.
podcast- brave.
- When simulating dynamics in maya set playback to play every frame. forces each frame to be calculated.
- Dynamic systems available in maya: nparticles, ncloth, fluid, soft and rigid bodies, bitfrost and bullet.
- nparticles can be used for dust, smoke, fire, water and wind effects.
- fx menu,, nparticles, create emitter. play every frame. max playback speed real time 24fps.
- falls down because of gravity. attribute editor. emitter- emitter type controls shape.
- min/max distance will say where to start from.
- use hardware rendered for particles. does it quite quickly.
- fields and solvers- interactive playback.
NCloth
- select objects that will come into contact with ncloth, under ncloth menu select passive collider.
- select ncloth object and under ncloth menu select ncloth. there are presents such as silk.
My samples:
This is better to watch in HD as the particles are so small and barely noticeable. I wanted to get a firefly effect but it needs tweaking.